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I cloze

1. A where

2. B fades

3. D while

4. C damaging

5. A well-bing

6. A turns

7. C workouts

8. B functions 

9. D process

10.C excel

11.D However

12.A according to

13 B further

14 A sharpness

15 D allows

16 B track 

17 D on 

C constantly

19 C build

20 B effective

II Reading comprehension

Part A

Text 1

21 B  Encourage job seekers’ active engagement in job seeking.

22 C  to register for an allowance from the government.

23 A  A desire to secure a better life for all.

24A  uneasy.

25 B  Osborne’s reforms will reduce the risk of unemployment.

Text 2

26 .D. The attraction of financial rewards

27. C. Pursuing a bachelor’s degree in another major

28. B. The rigid bodies governing the profession

29. A. Bans outsides’ involvement in the profession

30. C. A problem in America’s legal profession and solutions to it

Text 3

31A  the symbol of the entrepreneurs

32B: the founders of the new rewards

33D: the demonstration of research foundings

34A: their endurance has done justice to them

35A : acceptable despite the criticism

Text 4 

36 A  critical

37 C  keep a leading position in liberal education

38 A  an exclusive study of American history

39 B  cautious about intellectual investigation

40 B  illiberal education and “the Heart of the Matter”.

Part B

41. C How do archaeologists

42. F Most archaeologists, however

43. G Ground surveys allow

44. D Surveys can cover

45. B In otehr case

Part C

46. It is also the reason why when we try to describe music with words, all we can do is articulate our reactions to it and not grasp music itself.

這就是為什么當(dāng)我們嘗試用語言來描述音樂時(shí)，我們能清楚的表達(dá)對音樂的反應(yīng)，但并沒有領(lǐng)會(huì)音樂的精髓。

47. By all accounts he was a freethinking person, and a courageous one, and I find courage an essential quality for the understanding, let along the performance, of his works.

據(jù)大家所說，貝多芬是個(gè)思想自由而且有勇氣的人，發(fā)現(xiàn)勇氣是理解他作品的本質(zhì)，更不用說演奏他的作品了。

48. Beethoven’s habit of increasing the volume with an extreme intensity and then abruptly following it with a sudden soft passage was only rarely used by composers before him.

貝多芬表演時(shí)習(xí)慣性的增加他的音量，然后突然轉(zhuǎn)為柔和的節(jié)拍，前輩的音樂家很少有這種習(xí)慣。

49. Especially significant was his views of freedom, which, for him, was associated with the rights and responsibilities of the individual; he advocated freedom of thought and of personal expression.

尤其重要的是他對自由的看法，他認(rèn)為這和個(gè)人的權(quán)利和責(zé)任有關(guān)，他提倡思想自由和個(gè)人言論自由。

50. One could interpret much of the work of Beethoven by saying that suffering is inevitable, but the courage to fight it renders life worth living.

人們會(huì)將貝多芬的很多作品解釋為——痛苦是難免的，但是與痛苦抗?fàn)幍挠職獗砻魃�命值得活下去�?/font>