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姚晨的音樂(lè)語(yǔ)言根植于東方和西方的音樂(lè)傳統(tǒng)，同時(shí)充分運(yùn)用了當(dāng)代作曲技法的開放性融合了二者。他對(duì)音樂(lè)時(shí)間、音色、律動(dòng)、結(jié)構(gòu)及表情的感知都處于許多臨界地帶：新與舊，東與西，非理性的神秘與理性的邏輯感。同時(shí)，對(duì)獨(dú)立電影和實(shí)驗(yàn)劇場(chǎng)的涉獵也有效地拓寬了他的音樂(lè)種類和風(fēng)格。這些感知體驗(yàn)深深滲透在他的創(chuàng)作之中，體現(xiàn)了他對(duì)新音樂(lè)創(chuàng)作在世界當(dāng)代多元文化發(fā)展中的觀點(diǎn)和態(tài)度。這種跨文化的審美，在他的樂(lè)隊(duì)作品《詩(shī)兩首》，器樂(lè)劇場(chǎng)《波羅密多》， 戲劇空間《琵琶彈戲：西廂記三折》，中西混合室內(nèi)樂(lè)《駿》、《滄浪》、《嬋娟》等作品中都有集中的呈現(xiàn)，他們充分展示了作曲家在處理音樂(lè)戲劇性、混合不同音樂(lè)材料風(fēng)格等方面的創(chuàng)作才能。

作為一個(gè)活躍的青年作曲家，姚晨和許多的中美音樂(lè)家都有著密切的合作。這些音樂(lè)家包括美國(guó)指揮家 Cliff Colnot, Rei Hotoda，法國(guó)指揮家Jacques Mercier，紐約大都會(huì)歌劇院首席長(zhǎng)笛演奏家Denis Bouriakov，法國(guó)室內(nèi)交響樂(lè)團(tuán)長(zhǎng)笛首席Clara Novakova，美國(guó)科羅拉多交響樂(lè)團(tuán)長(zhǎng)笛首席Brook Ferguson，新加坡小提琴演奏家蕭麗君，舊金山音樂(lè)學(xué)院小提琴教授何為，中提琴演奏家徐沛珺，瑞士巴塞爾交響樂(lè)團(tuán)中提琴首席Veit Hertemstein，法國(guó)巴黎廣播樂(lè)團(tuán)豎琴首席Nicolas Tulliez，中國(guó)愛(ài)樂(lè)樂(lè)團(tuán)豎琴首席郭悅， 以色列單簧管演奏家Guy Yehuda，琵琶演奏家楊惟、蘭維薇，古琴演奏家陳雷激，古箏演奏家王于真，馬林巴演奏家林威震，竹笛演奏家張維良、王華，巴揚(yáng)手風(fēng)琴演奏家Stanislav Venglevski、羅漢，低音提琴演奏家張達(dá)尋、Michael Cameron、陳翰叡，中國(guó)昆曲藝術(shù)家呂佳和蕭向平，等等。

他的作品也被許多重要的大型演奏團(tuán)體演奏過(guò)，這包括獲得格萊美古典大獎(jiǎng)的美國(guó)Saint Paul室內(nèi)交響樂(lè)團(tuán)、美國(guó)Pacifica弦樂(lè)四重奏團(tuán)和美國(guó)eighth blackbird六重奏團(tuán)。此外，還有著名的美國(guó)St. Luke’s 交響樂(lè)隊(duì)，法國(guó)Lorraine國(guó)家交響樂(lè)團(tuán)，加拿大Winnipeg交響樂(lè)團(tuán)， 美國(guó) Promusica 室內(nèi)交響樂(lè)團(tuán) ，芝加哥交響樂(lè)團(tuán)麾下的Civitas Ensemble， 美國(guó)Tanglewood 音樂(lè)節(jié)New Fromm Players，法國(guó)Diotima Quatuor弦樂(lè)四重奏團(tuán)，新加坡唐弦樂(lè)四重奏團(tuán)，以色列當(dāng)代音樂(lè)團(tuán), 香港新音樂(lè)團(tuán)，美國(guó)Camerata和Quintet of the Americas木管五重奏團(tuán)等均成功演繹過(guò)姚晨的音樂(lè)作品。

他的音樂(lè)也常出現(xiàn)在許多世界頂級(jí)的音樂(lè)節(jié)和音樂(lè)廳。美國(guó)Tanglewood音樂(lè)節(jié)，美國(guó)Aspen音樂(lè)節(jié)，日本太平洋國(guó)際音樂(lè)節(jié)，在斯洛文尼亞舉辦的國(guó)際當(dāng)代音樂(lè)協(xié)會(huì)World Music Days音樂(lè)節(jié)， 法國(guó)Centre Acanthes當(dāng)代音樂(lè)節(jié)， 莫斯科國(guó)際手風(fēng)琴大賽，法國(guó)巴黎Festival Presences，亞洲作曲家聯(lián)盟音樂(lè)節(jié)（以色列，新加坡，日本），意大利soundSCAPE 音樂(lè)節(jié)，波蘭波茲南之春音樂(lè)節(jié)， 瑞典Stode Musicveckai音樂(lè)節(jié)，德國(guó)Deutsch-Chinesisches古典音樂(lè)節(jié)，美國(guó)June In Buffalo當(dāng)代音樂(lè)節(jié)，美國(guó)芝加哥SoundField音樂(lè)節(jié)和Contempo音樂(lè)會(huì)系列，美國(guó)路易威爾大學(xué)新音樂(lè)節(jié)，臺(tái)灣高雄國(guó)際打擊樂(lè)節(jié)，中國(guó)北京現(xiàn)代音樂(lè)節(jié)，中國(guó)中央音樂(lè)學(xué)院民族音樂(lè)節(jié)，中國(guó)天津國(guó)際手風(fēng)琴藝術(shù)節(jié)等等，均呈現(xiàn)過(guò)姚晨的音樂(lè)作品。

許多國(guó)際音樂(lè)組織曾授予姚晨諸多榮譽(yù)、獎(jiǎng)項(xiàng)和委約，包括美國(guó)作曲家、作家及出版商協(xié)會(huì)（ASCAP），美國(guó)新音樂(lè)（New Music USA），美國(guó)哈佛大學(xué)Fromm音樂(lè)基金會(huì)，芝加哥大學(xué)梅隆（Mellon）藝術(shù)實(shí)踐與學(xué)術(shù)合作獎(jiǎng)，法國(guó)國(guó)家廣播電臺(tái) (Festival Presences 和 Alla Breve)，紐約WQXR電臺(tái)，美國(guó)匹茲堡交響樂(lè)團(tuán)，美國(guó)Orpheus室內(nèi)交響樂(lè)團(tuán)，芝加哥藝術(shù)學(xué)院，美國(guó)Barnett家族基金會(huì)音樂(lè)比賽，美國(guó)中華才藝協(xié)會(huì)國(guó)際作曲比賽，加拿大Winnipeg交響樂(lè)團(tuán)，希臘國(guó)際作曲比賽，中國(guó)TMSK劉天華中國(guó)民樂(lè)作曲比賽，美國(guó)東卡羅萊納大學(xué)交響樂(lè)隊(duì)作曲比賽，北京現(xiàn)代音樂(lè)節(jié)和中國(guó)廣東民族樂(lè)團(tuán)。另外，他也曾擔(dān)任美國(guó)Salvatore Martirano國(guó)際作曲比賽和Red Note國(guó)際作曲比賽的評(píng)委，還曾受邀擔(dān)任2014伊利諾伊州立大學(xué)Red Note新音樂(lè)節(jié)的藝術(shù)總監(jiān)。 近幾年，他也接受世界著名藝術(shù)院校的邀請(qǐng)給予專題講座，比如巴黎國(guó)立高等音樂(lè)舞蹈學(xué)院，米蘭威爾第音樂(lè)學(xué)院， 美國(guó)加利福尼亞大學(xué)伯克利分校音樂(lè)系，北京電影學(xué)院攝影系，等等。

姚晨出生于中國(guó)廣東，成長(zhǎng)于中國(guó)大西北，曾在廣州星海音樂(lè)學(xué)院附中和中央音樂(lè)學(xué)院接受嚴(yán)格的作曲訓(xùn)練。在美國(guó)芝加哥大學(xué)攻讀作曲博士學(xué)位期間及之后，他先后執(zhí)教于美國(guó)芝加哥大學(xué)音樂(lè)系、美國(guó)伊利諾伊大學(xué)香檳分校音樂(lè)學(xué)院、美國(guó)伊利諾伊州立大學(xué)音樂(lè)學(xué)院及中國(guó)蘇州大學(xué)音樂(lè)學(xué)院。目前為中國(guó)北京中央音樂(lè)學(xué)院作曲系副教授。更多信息請(qǐng)?jiān)L問(wèn)www.yaochenmusic.com

The music of YAO Chen strikes audiences with its innovative ways of bringing the traditions of Chinese and Western music and its poetic telling of the composer's innermost thoughts.　 His perceptions on musical time, timbre, intonation, pulsation, and expression are always at frontiers: between the old and the new, between the East and the West, between irrational mysticism and rational logic.　 While devoting himself mainly to the field of contemporary art music, YAO also experiments with other genres, writing music for films and theatre productions.　 Cross-cultural and cross-disciplinary concepts permeate his creative inspiration and compositional output, presenting his understanding of the value of new music in enlivening global cultures.　

His creative vision and aesthetic pursuit have resulted in his many compositions, such as Two Poems for orchestra, the instrumental theatre piece Paramita,the three-act environmental theatre piece Playing the Opera on Pipa: Romance of the Western Chamber, and many Chinese-Western mixed instrumental works including Tsanglang…Tsanglang for flute, zheng and viola, Yearning for zheng and double bass, Jun for pipa and double bass. These pieces not only demonstrate his talent in navigating situations covering a wide emotional spectrum and dramaturgical elements in music writing, but also reveal his versatility in structuring musical forms that embrace mixed instruments, musical languages and styles.

In recent years, his music has received a significant amount of recognition in many distinguished international arenas.　 His music has been performed by the St. Paul Chamber Orchestra (Grammy winner), Orchestre National de Lorraine, Winnipeg Symphony Orchestra, Orchestra of St. Luke's, ProMusica Chamber Orchestra, Pacifica String Quartet (Grammy Winner), Quatuor Diotima, eighth blackbird (Grammy winner), Tang Quartet, Civitas Ensemble (from Chicago Symphony Orchestra), Camerata Woodwind Quintet, Quintet of the Americas, New Fromm Players, Earplay Ensemble, Israel Contemporary Players, Conundrum, Wild Rumpus New Music Collective, New Music Concerts in Canada, TianYing Chinese Ensemble, Beijing New Music Ensemble, etc.　 YAO has collaborated with countless artists, including conductors Cliff Colnot, Jacques Mercier and Rei Hotoda, violin virtuoso Siow Lee-Chin and He Wei, viola virtuoso Xu Peijun and Veit Hertemstein double bassists DaXun Zhang, Michael Cameron and Chen Han-Jui, sopranos Tony Arnold and Allison Angelo, flutists Denis Bouriakov and Clara Novakova, pianist Nareh Arghamanyan, bayan-players Luo Han and Stanislav Venglevski, harpist Nicolas Tulliez, Chinese pipa-players Yang Wei and Lan Weiwei, marimba virtuoso Wen-Chen Lin, Chinese bamboo flutist Zhang Weiliang, zheng player Yu-Chen Wang, Kun Opera singer Lu Jia and Xiao Xiangping.

He has also received commissions, awards and fellowships from many prestigious organizations such as the Fromm Music Foundation at Harvard University, New Music USA, Radio France (Festival Presence and Alla Breve), ASCAP, Barnett Family Foundation Flute Competition, Leonard Bernstein Fund, Art Institute of Chicago & Silk Road Chicago Project, Pittsburgh Symphony Orchestra, TMSK Liu Tianhua Composition Competition, Greece International Composition Competition, East Carolina University Orchestral Composition Competition, Aspen Music Festival, Chinese Fine Arts Society International Composition Competition, Viacom-Sumner M. Redstone Foundation in China, Central Conservatory of Music, University of Chicago, etc.

YAO has shared his music with audiences at many music festivals throughout the world, including the Radio France’Festival Présences, Tanglewood Music Festival, Aspen Music Festival, ISCM’s World Music Days (Slovenia), Centre Acanthes Festival, Pacific Music Festival in Japan, Asian Composers League Festival (Israel, Singapore and Japan), Moscow International Accordion Competition, International Tianjin Accordion Festival, Deutsch-Chinesisches Classic Music Festival (Germany), Stode Musicveckai (Sweden), Beijing Modern Music Festival, Chicago Contempo Concerts, June In Buffalo Contemporary Festival, Poznan Musical Spring Festival (Poland), SoundField Music Festival (Chicago), soundSCAPE Music Festival (Italy), Random Access Music New Music Festival and the Music of Now Marathon Festival in New York City, East Carolina University New Music Festival, University of Louisville New Music Festival.

YAO embarked on his lifelong musical journey in the People's Republic of China.　 He received training in composition at Xinghai Conservatory of Music and Central Conservatory of Music.　He received in his Ph.D in Composition from the University of Chicago.　 He is currently associate professor in Composition at Central Conservatory of Music in Beijing.　In the past, he has hold professorships at the University of Chicago Music Department, the University of Illinois at Urbana-Champaign School of Music, the Illinois State University School of Music, and the Soochow University School of Musicin China.　YAO is his surname, and Chen is his first name.　For more information, please visit www.yaochenmusic.com